I work across the mediums of painting, drawing, and somatic mechanics to explore the continuity between the human body, ancestral infrastructure, and the architecture of survival. My practice operates on the principle that the human frame is a "Living Archive"—a complex blueprint of historical bracing, environmental adaptation, and "old code" stored within the fascia and muscle memory.

Just as an architect audits a decaying structure, my work seeks to uncover the hidden structure of our internal systems. Through a rigorous juxtaposition of Renaissance-inspired figurative form and systematic Islamic geometry, I map the tension between the physical body and the universal grid. This is a laboratory for reconstruction; a space to dismantle the load-bearing walls of trauma and outdated bracing that obstruct creative expression and consume vital energy.